EAN-139786306010950   EAN-13 barcode 9786306010950
Product NameUp at the Villa
CategoryElectronics / Photography: A/V Media: Movie / TV
Short DescriptionWeight:0 pounds
Amazon.comA Buy on Amazon ~ 6306010955
Price New89.99 US Dollars    (curriencies)
Price Used29.76 US Dollars    (curriencies)
RatingPG-13 - Parents Strongly Cautioned
Run Time115 minutes
Aspect Ratio1.78:1
CastAnne Bancroft, James Fox, Jeremy Davies, Kristin Scott Thomas, Sean Penn
Run Time115 minutes
Width5.5 inches    (convert)
Height0.5 inches    (convert)
Length7.5 inches    (convert)
Weight25 hundredths pounds    (convert)
FormatClosed-captioned, Color, NTSC
Run Time115 minutes
Long DescriptionStrangely reminiscent of Stanley Kubrick's Eyes Wide Shut , Philip Haas's Up at the Villa is a similarly insulated psychosexual drama detached from the larger world yet with consequences well beyond itself. As with Kubrick's final masterpiece, Up at the Villa is constructed around a self-centered character whose insecurities about marriage set a disastrous chain of events into motion. Kristin Scott Thomas plays Mary Panton, a comely Englishwoman staying at a villa in Florence, Italy, in the late 1930s. Sheltered by the goodwill of the British and American community there, Mary--with little money and few prospects for survival outside marriage--dithers over her uncertain destiny and dreams of independence. Based on a novella by W. Somerset Maugham, Up At the Villa finds Mary forced to take charge of her life after a one-night stand with an Austrian immigrant (Jeremy Davies) leads to tragedy. Sean Penn plays a cavalier American playboy who helps her out in the nightmarish aftermath. Both he and Thomas approach Haas's artful film noir with intentionally mannered performances that blur the line between internal and external experience. The result is a kind of midnight journey through minefields of the subconscious. Still, the film is not without weaknesses: getting a fix on Penn's roughly sketched character, for instance, proves unsatisfying given his clichéd roguishness. And Haas seems to be plucking derivative ideas from everywhere: there's a strange stretch in the second act in which he goes out of his way to make a Hitchcockian film that really does look and sound like a Hitchcock film. While the result is eerie, you have to wonder why Haas would be so blunt about it. --Tom Keogh
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Created09-30-2012 9:08:48pm
Modified05-01-2020 9:14:04pm
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