Image | |
EAN-13 | 9780824833121 |
Product Name | Dark Writing: Geography, Performance, Design (Writing Past Colonialism) |
Language | English |
Category | Book / Magazine / Publication |
Short Description | Paperback |
Amazon.com | Buy on Amazon ~ 0824833120 |
SKU | ACOUK_BOOK_NEW_0824833120 |
Price New | 13.74 US Dollars (curriencies) |
Price Used | 11.45 US Dollars (curriencies) |
Width | 0.8 inches (convert) |
Height | 9.1 inches (convert) |
Length | 6.1 inches (convert) |
Weight | 20 ounces (convert) |
Author | Paul Carter |
Page Count | 328 |
Binding | Paperback |
Published | 10/31/2008 |
Long Description | We do not see empty figures and outlines; we do not move in straight lines. Everywhere we are surrounded by dapple; the geometry of our embodied lives is curviform, meandering, bi-pedal. Our personal worlds are timed, inter-positional, and contingent. But nowhere in the language of cartography and design do these ordinary experiences appear. This, Dark Writing argues, is a serious omission because they are designs on the world: architects and colonizers use their lines to construct the places where we will live. But the rectilinear streets, squares, and public spaces produced in this way leave out people and the entire environmental history of their coming together. How, this book asks, can we explain the omission of bodies from maps and plans? And how can we redraw the lines maps and plans use so that the qualitative world of shadows, footprints, comings and goings, and occasions―all essential qualities of places that incubate sociality―can be registered? In short, Dark Writing asks why we represent the world as static when our experience of it is mobile. It traces this bias in Enlightenment cartography, in inductive logic, and in contemporary place design. This is the negative critique. Its positive argument is that, when we look closely at these designs on the world, we find traces of a repressed movement form. Even the ideal lines of geometrical figures turn out to contain traces of earlier passages; and there are many forms of graphic design that do engage with the dark environment that surrounds the light of reason. How can this "dark writing"―so important to reconfiguring our world as a place of meeting, of co-existence and sustaining diversity―be represented? And how, therefore, can our representations of the world embody more sensuously the mobile histories that have produced it? Dark Writing answers these questions using case studies: the exemplary case of the beginnings of the now world-famous Papunya Tula Painting Movement (Central Australia) and three high-profile public place-making initiatives in which the author was involved as artist and thinker. These case studies are nested inside historical chapters and philosophical discussions of the line and linear thinking that make Dark Writing both a highly personal book and a narrative with wide general appeal. |
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Created | 02-26-2012 9:50:30pm |
Modified | 05-01-2020 3:41:49am |
MD5 | 879ba476939de3c900ae12e5420801a5 |
SHA256 | ad2760d366d6a1288beca2ec819f3145cc908706eb53ea6d9c9dac0aee8aeecf |
Search Google | by EAN or by Title |
Query Time | 0.0266740 |
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Amazon Standard Itentification Numbers (ASIN)
Amazon Standard Identification Numbers (ASINs) are unique blocks of 10 letters and/or numbers that identify items. You can find the ASIN on the item's product information page on Amazon.ca and in the URL for the page.
The quickest way to find your product's ASIN is to look in your browser's address bar. Copy the number that appears after the item name and "dp" in the address:
ASINs are unique identifiers that are assigned by Amazon to products used in the Amazon realm of companies. Often times the same product could have different ASINs when accessed from Amazon web sites for different countries even though the product has the same EAN number on both sites.
Books that have a 10 digit ISBN number will use that as their ASIN for the most part. But products that are not books or even books that only have 13 digit EAN numbers need to have a shorter 10 digit ASIN number assigned to them. This pattern most likely comes from the fact that Amazon started out as an online book store and then expanded so keeping the 10 digit identification code makes a lot of sense.
Because the ASIN can be both digits and letters, it is very easy to store many more product identifiers with 10 characters than the 13 digit only EAN number could while saving a lot of space in their database system over millions of products.
If you know the ASIN of a product, you can quickly look that product up on any of the Amazon sites by placing the ASIN into the URL. The pattern is the domain name, slash, dp, slash, ASIN. A trailing slash is optional.
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http://amazon.com/dp/B0010O748Q
When possible, we at EANdata.com try to connect our dat to both the EAN and the ASIN because so many products are available on Amazon for sale and offer more information and our goal is always to get the end user as much informationa bout a product as we possibly can. So naturally, if we can link to this information we would. We will even allow searching of our data using the ASIN number in addition to searching by UPC, EAN or ISBN.
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