Image | ![]() |
EAN-13 | 9780820335742 ![]() |
Product Name | Streets Of Memory: Landscape, Tolerance, And National Identity In Istanbul |
Language | English |
Category | Book / Magazine / Publication |
Short Description | Height:9.02 inches / Length:5.98 inches / Weight:1 pounds / Width:0.71 inches |
Amazon.com | ![]() |
SKU | BOOK2450 |
Price New | 26.95 US Dollars (curriencies) |
Price Used | 6.23 US Dollars (curriencies) |
Width | 0.69 inches (convert) |
Height | 9 inches (convert) |
Length | 6 inches (convert) |
Weight | 16 ounces (convert) |
Author | Amy Mills |
Page Count | 248 |
Binding | Paperback |
Published | 06/15/2010 |
Features | Used Book in Good Condition |
Long Description | Winner of the 2011 Jane Jacobs Urban Communication Book Award In this study of Kuzguncuk, known as one of Istanbul's historically most tolerant, multiethnic neighborhoods, Amy Mills is animated by a single question: what does it mean to live in a place that once was--but no longer is--ethnically and religiously diverse? "Turkification" drove out most of Kuzguncuk's minority Greeks, Armenians, and Jews in the mid-twentieth century, but they left behind potent vestiges of their presence in the cityscape. Mills analyzes these places in a street-by-street ethnographic tour. She looks at how memory is conveyed and contested in Kuzguncuk's built environment, whether through the popular television programs filmed on location there or in the cross-class alliance that sprung up to advocate the preservation of an old market garden. Overall, she finds that the neighborhood's landscape not only connotes feelings of "belonging and familiarity" connected to a "narrative of historic multiethnic harmony" but also makes these ideas appear to be uncontestably real, or true. The resulting nostalgia bolsters a version of Turkish nationalism that seems cosmopolitan and benign. This study of memories of interethnic relationships in a local place examines why the cultural memory of tolerance has become so popular and raises questions regarding the nature and meaning of cosmopolitanism in the contemporary Middle East. A major contribution to urban studies, human geography, and Middle East studies, Streets of Memory is imbued with a sense of genuine connection to Istanbul and the people who live there. |
Similar Items | 9780374531409: Crescent And Star: Turkey Between Two Worlds 9780300194159: The Battle For The Arab Spring: Revolution, Counter-Revolution And The Making Of A New Era 9780300055832: Women And Gender In Islam: Historical Roots Of A Modern Debate 9780295975979: Rethinking Modernity and National Identity in Turkey (Publications on the Near East) 9780292706804: The Great Syrian Revolt and the Rise of Arab Nationalism (Modern Middle East) 9780252066719: Crescent And Star: Turkey Between Two Worlds 9780226644691: The Creative Destruction Of Manhattan, 1900-1940 (Historical Studies Of Urban America) 9780143118848: Rebel Land: Unraveling The Riddle Of History In A Turkish Town 9780140067231: Women And Gender In Islam: Historical Roots Of A Modern Debate 9780070659421: Women And Gender In Islam: Historical Roots Of A Modern Debate View 24 more similar items |
Created | 01-26-2013 1:08:26am |
Modified | 05-01-2020 3:26:55am |
MD5 | b1a211c1cd86d2822de0a9c7dfaa2cc2 |
SHA256 | 23f284f07cb2a2dcc4e5d097dcaa533149b97701c114786d61eb6014d2f5c227 |
Search Google | by EAN or by Title |
Query Time | 0.0266449 |
Article of interest
This symbology was developed by the MSI Data Corporation and is based on the Plessey Code symbology. MSI is most often used in warehouses and inventory control.
This is a continuous non-self-checking symbology meaning it has no predetermined length and there is no validation built into the barcode itself. If you want to validate the data stored in the barcode, you would need to use a check digit. Mod 10 is the most common check digit used with MSI but you can also use mod 1010 or mod 1110. It is allowed but generally not a good idea to omit the check digit all together.
There is a start marker which is represented by three binary digits 110 (where 1 is black and 0 is white). There is also a stop marker which is represented by four binary digits 1001. The remaining markers represent the numeric digits 0-9 (no text or special characters) and each digit is represented by twelve binary digits. Below is a table that describes all of the possible markers. The start and stop markers are the main difference between MSI and Plessey. That and the fact that MSI only covers digits 0-9. You can read these stripes as a binary values where 110 is binary 1 and 100 is binary 0. The stop marker simply has an extra bit on the end.
Character | Stripe Bits | Binary Value |
START | 110 | 1 |
0 | 100100100100 | 0000 |
1 | 100100100110 | 0001 |
2 | 100100110100 | 0010 |
3 | 100100110110 | 0011 |
4 | 100110100100 | 0100 |
5 | 100110100110 | 0101 |
6 | 100110110100 | 0110 |
7 | 100110110110 | 0111 |
8 | 110100100100 | 1000 |
9 | 110100100110 | 1001 |
STOP | 1001 | 0 + extra stripe |
To create a graphical barcode using this process, you can simply string together a series of 1 and 0 graphic images once you have calculated what your barcode should look like using the table shown above. You can view the source code of this page if you want to see how we created the example shown below.
Code | [start]375[stop] |
Bits: | 110 100100110110 100110110110 100110100110 1001 |
Graphic: | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
This is just an example of one way to perform the graphic encoding. It is often easier to just draw the lines instead of tacking together individual images. If you would like to create free MSI barcodes, please visit our barcode generator page. You can save the images you make and use them as needed.