|Product Name||Redheads Die Quickly And Other Stories|
|Category||Book / Magazine / Publication|
|Amazon.com||Buy on Amazon ~ 0813044065|
|Price New||19.95 US Dollars (curriencies)|
|Price Used||6.38 US Dollars (curriencies)|
|Width||0.8 inches (convert)|
|Height||8.9 inches (convert)|
|Length||6 inches (convert)|
|Weight||14.4 ounces (convert)|
|Long Description||Gil Brewer (1922–1983), a second-generation noir writer, followed in the footsteps of Raymond Chandler, Dashiell Hammett, and James M. Cain. He spent most of his life in the Tampa Bay area, where he also set most of his fiction. Like his characters, he was a victim of his own weaknesses, dying as a result of the alcoholism that plagued his whole adult life. Brewer published prolifically under various pseudonyms and in a variety of niche genres including mystery, romance, and pornography. Over the course of his career, he published more than 100 short stories and 50 novels, including A Taste for Sin, Satan Is a Woman, and The Girl from Hateville . He is known for his everyday characters—often underdogs, frequently downtrodden, and desperate to get ahead in life—who ultimately succumb to their own weaknesses and desires. Brewer revolutionized the availability of reading-as-entertainment for the American people by helping to exploit a new market: the paperback original. Many of his novels, including the bestselling 13 French Street, have recently been reissued for a new audience. However, Redheads Die Quickly and Other Stories is the first collection of his short fiction. Because his work was published in a large number of pulp magazines, and because he regularly didn’t publish stories under his own name, Brewer’s fans—and fans of hard-boiled noir fiction in general—have often been frustrated in their efforts to find the work of this mid-century American crime writer. David Rachels has sifted through the Brewer papers at the University of Wyoming, thumbed thousands of publications, and tracked down rare pulp magazines on eBay, to create the first-ever authoritative list of Brewer’s short stories, with the best featured in a single volume.|
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Article of interest
Identified by the bulls-eye pattern in the center of the square, the Aztec Code barcode is easy to recognize. This symbol supports patterns ranging from 15x15 up to 151x151 blocks with one special rune that can encode a single byte. This rune is 11x11 blocks.
The bulls-eye is either 9x9 or 13x13. The ring directly beyond the bulls-eye is the mode section. The remainder of the symbol is the data and error correction. Three of the corners of the core hold the orientation markers. In the image below we have marked the bulls-eye in red, the mode section in green and the orientation markers are in blue leaving the data area in black and white.
The data is stored in pairs of rings that stretch out from the core. The decoding of data starts at the orientation marker made up of three blocks and procedes in a counter-clockwise direction. There is no outer marker to identify the outer boundry because the size is encoded in the core.
Because this symbology is mainly used in industry and not for public consumption, most smart phones can't read them. Try with your smart phone.
Although we don't have a generator here on our site at the moment, there is one availbale at www.racoindustries.com if you wish to create your own Aztec Code barcodes.