Image | ![]() |
EAN-13 | 9780809318667 ![]() |
Product Name | Women And Gender In Islam: Historical Roots Of A Modern Debate |
Language | English |
Category | Book / Magazine / Publication |
Short Description | Paperback |
Amazon.com | ![]() |
SKU | NEW-COMMON-60291 |
Price New | 18.05 US Dollars (curriencies) |
Price Used | 6.44 US Dollars (curriencies) |
Width | 5.97 inches (convert) |
Height | 0.82 inches (convert) |
Length | 9.21 inches (convert) |
Weight | 16.32 ounces (convert) |
Author | Leila Ahmed |
Page Count | 304 |
Binding | Paperback |
Published | 07/28/1993 |
Features | Yale University Press |
Long Description | Are Islamic societies inherently oppressive to women? Is the trend among Islamic women to appear once again in veils and other traditional clothing a symbol of regression or an effort to return to a pure” Islam that was just and fair to both sexes? In this book Leila Ahmed adds a new perspective to the current debate about women and Islam by exploring its historical roots, tracing the developments in Islamic discourses on women and gender from the ancient world to the present. In order to distinguish what was distinctive about the earliest Islamic doctrine on women, Ahmed first describes the gender systems in place in the Middle East before the rise of Islam. She then focuses on those Arab societies that played a key role in elaborating the dominant Islamic discourses about women and gender: Arabia during the period in which Islam was founded; Iraq during the classical age, when the prescriptive core of legal and religious discourse on women was formulated; and Egypt during the nineteenth and twentieth centuries, when exposure to Western societies led to dramatic social change and to the emergence of new discourses on women. Throughout, Ahmed not only considers the Islamic texts in which central ideologies about women and gender developed or were debated but also places this discourse in its social and historical context. Her book is thus a fascinating survey of Islamic debates and ideologies about women and the historical circumstances of their position in society, the first such discussion using the analytic tools of contemporary gender studies. |
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Article of interest
This symbology was developed by the MSI Data Corporation and is based on the Plessey Code symbology. MSI is most often used in warehouses and inventory control.
This is a continuous non-self-checking symbology meaning it has no predetermined length and there is no validation built into the barcode itself. If you want to validate the data stored in the barcode, you would need to use a check digit. Mod 10 is the most common check digit used with MSI but you can also use mod 1010 or mod 1110. It is allowed but generally not a good idea to omit the check digit all together.
There is a start marker which is represented by three binary digits 110 (where 1 is black and 0 is white). There is also a stop marker which is represented by four binary digits 1001. The remaining markers represent the numeric digits 0-9 (no text or special characters) and each digit is represented by twelve binary digits. Below is a table that describes all of the possible markers. The start and stop markers are the main difference between MSI and Plessey. That and the fact that MSI only covers digits 0-9. You can read these stripes as a binary values where 110 is binary 1 and 100 is binary 0. The stop marker simply has an extra bit on the end.
Character | Stripe Bits | Binary Value |
START | 110 | 1 |
0 | 100100100100 | 0000 |
1 | 100100100110 | 0001 |
2 | 100100110100 | 0010 |
3 | 100100110110 | 0011 |
4 | 100110100100 | 0100 |
5 | 100110100110 | 0101 |
6 | 100110110100 | 0110 |
7 | 100110110110 | 0111 |
8 | 110100100100 | 1000 |
9 | 110100100110 | 1001 |
STOP | 1001 | 0 + extra stripe |
To create a graphical barcode using this process, you can simply string together a series of 1 and 0 graphic images once you have calculated what your barcode should look like using the table shown above. You can view the source code of this page if you want to see how we created the example shown below.
Code | [start]375[stop] |
Bits: | 110 100100110110 100110110110 100110100110 1001 |
Graphic: | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
This is just an example of one way to perform the graphic encoding. It is often easier to just draw the lines instead of tacking together individual images. If you would like to create free MSI barcodes, please visit our barcode generator page. You can save the images you make and use them as needed.