Image
EAN-139780807833889   EAN-13 barcode 9780807833889
Product NameCitizen Spectator: Art, Illusion, And Visual Perception In Early National America (Published For The Omohundro Institute Of Early American History And Culture, Williamsburg, Virginia)
LanguageEnglish
CategoryBook / Magazine / Publication
Short DescriptionHeight:9.02 inches / Length:5.98 inches / Weight:1.94 pounds / Width:1.3 inches
Amazon.comA Buy on Amazon ~ 0807833886
SKUACOMMP2_BOOK_USEDLIKENEW_0807833886
Price New49.04 US Dollars    (curriencies)
Price Used39.37 US Dollars    (curriencies)
Width1.3 inches    (convert)
Height9.3 inches    (convert)
Length6.4 inches    (convert)
Weight31.04 ounces    (convert)
AuthorWendy Bellion
Page Count388
BindingHardcover
Published02/01/2011
FeaturesUsed Book in Good Condition
Long DescriptionIn this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, "Invisible Ladies," and other spectacles of deception. Bellion reconstructs the elite and vernacular sites where such art and objects appeared and argues that early national exhibitions doubled as spaces of citizen formation. Within a post-Revolutionary culture troubled by the social and political consequences of deception, keen perception signified able citizenship. Setting illusions into dialogue with Enlightenment cultures of science, print, politics, and the senses, Citizen Spectator demonstrates that pictorial and optical illusions functioned to cultivate but also to confound discernment. Bellion reveals the equivocal nature of illusion during the early republic, mapping its changing forms and functions, and uncovers surprising links between early American art, culture, and citizenship.
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Created11-22-2012 3:29:59pm
Modified05-01-2020 2:38:15am
MD50192763f8e53d96fca85171adf0dc90b
SHA256631bfbf2d70087caa7b79b58445d1d40a421abaf182b9322905f15c770178098
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